} Crítica Retrô: lista

Tradutor / Translator / Traductor / Übersetzer / Traduttore / Traducteur / 翻訳者 / переводчик

Showing posts with label lista. Show all posts
Showing posts with label lista. Show all posts

Saturday, January 3, 2026

Resoluções Cinematográficas 2026 / 12 classics for 2026

 

É Ano Novo e hora de escolher 12 clássicos - ou nem tão clássicos assim - que me escaparam para finalmente assistir e escrever sobre, um por mês, sem estresse. São estes os títulos que escolhi para 2026:

It’s a New Year and time to choose 12 classic - or not so classic - movies that have escaped me to finally watch and review, one per month, no stress. These are the titles I came up with for 2026:

Idílio Desfeito / Tillie’s Punctured Romance (1914)

David, o Caçula / Tol’able David (1921)

A Carruagem Fantasma / The Phantom Carriage (1921)

Figuras de Cera / Waxworks (1924)

Guerra! Flagelo de Deus / Westfront 1918 (1930)

Dixiana (1930)

Manequim / Mannequin (1937)

A Oitava Esposa de Barba-Azul / Bluebeard’s Eighty Wife (1938)

Ser ou Não Ser / To Be or Not to Be (1942)

O Pecado de Cluny Brown / Cluny Brown (1946)

A Revolução dos Bichos / Animal Farm (1954)

Sementes de Violência / Blackboard Jungle (1955)


Wednesday, January 3, 2024

Resoluções Cinematográficas 2024 / 12 classics for 2024

 

Depois do imenso sucesso das minhas resoluções cinematográficas de 2023, com um filme por mês sendo visto e resenhado aqui, eu volto com minha lista para 2024. São 12 filmes, feitos entre 1910 e 1982, dos mais obscuros títulos ao grande clássico que me escapou até agora. Mais uma vez, escolho entre filmes que tenho em DVD e que gravei na televisão, e outros que quero ver faz tempo. 2024 vai ser massa. E o cinema fará parte disso, com certeza.

After the huge success of my 12 classics for 2023, with one film every month to be seen and written about, I’m back with my 2024 list. There are 12 films, made between 1910 and 1982, from the most obscure titles until the great classic that had evaded me until now. Once more, I choose between films I had on DVD and that I had recorded on my VCR and others that I’ve been meaning to see for a long time. 2024 will be a great year. And cinema for sure will be part of it.

Minha lista / My list:

 

O Abismo / The Abyss / Afgrunden (1910)


Seja Minha Mulher / Be My Wife (1921)


Os Espiões / Spies / Spione (1928)


A Daughter of Destiny / Alraune (1928)


O Demônio da Algéria / Pépé le Moko(1937)


Beco sem Saída/ Dead End (1937)


Na Noite do Passado / Random Harvest (1942)


Mortalmente Perigosa / Gun Crazy (1950)


Play Time - Tempo de Diversão / Play Time (1967)


Adeus, Mr Chips / Goodbye Mr Chips (1969)


Duas Inglesas e o Amor / Two English Girls (1971)


Blade Runner (1982)


Wednesday, January 4, 2023

Resoluções Cinematográficas 2023 / 12 classics for 2023

 

Depois de um intervalo de cinco anos, elas voltaram: minhas resoluções de Ano Novo, consistindo em assistir a 12 clássicos que ainda não vi. Este ano, além de preencher alguns buracos relativos aos meus conhecimentos sobre cinema, eu decidi duas coisas.

After a five-year hiatus, they are back: my New Year’s Resolutions to watch 12 classics I haven’t already checked. This year, besides diminishing the gap of my film knowledge, I decided two other things.

A primeira é que vou escolher filmes que podem não ser clássicos “obrigatórios”, mas que mesmo assim estão ao meu redor em DVDs que não vi ou em gravações. É uma chance d tirar títulos da minha watchlist... para dar lugar a mais filmes! E, escrevendo sobre um deles todo mês, evito um problema que sempre acontecia: eu chegava em dezembro com vários dos 12 clássicos ainda por assisitir.

The first one is that I’ll choose films that may not be “mandatory” classics, but nevertheless are around me on DVDs I haven’t touched or DVR recordings. It’s a chance to get things of my watchlist… to have more room for more films! And, by doing one every month, I don’t have the problem that always happened: I arrived in December with still several of my 12 classics to watch.

A segunda coisa é, já disse, que vou escrever sobre um filme da lista por mês aqui no blog. Conforme minha carreira como crítica de cinema evoluiu, passei a escrever menos neste blog, focando mais nos filmes que estreavam e escrevendo para outros sites. Mas o Crítica Retrô é o começo de tudo, e meu amor pelos clássicos não mudou. Esses artigos são também uma maneira de sacudir as coisas neste blog, pois venho escrevendo aqui principalmente para blogathons.

The second one is that, as I said, I’ll review one film from the list every month here on the blog. As my career as a film critic evolved, I’ve written less on this blog, focusing more on films that are premiering now and writing for other websites. But Crítica Retrô is the beginning of everything, and my love for classics hasn’t changed. These reviews are also a way to shake things up on this blog, as I’ve been writing here mainly for blogathons.


Então aqui estão: os meus 12 clássicos para 2023:

So here they are: my 12 classics for 2023:


The End of the World / Verdens Undergang (1916)

Madame DuBarry (1919)

O Mosqueteiro / The Three Must-Get-Theres (1922)

Nana (1926)

Vozes do Coração / Torch Singer (1933)

Como Gosteis / As You Like It (1936)

Seu Último Refúgio / High Sierra (1941)

Uma Aventura em Paris / Reunion in France (1942)

Os Contos de Hoffmann / Tales of Hoffmann(1951)

O Almoço sobre a Relva / Picnic on the Grass (1959) 

Por que deu a louca no Sr R? / Where Does Herr R. Run Amok? (1970)

A Cicatriz / The Scar (1976)

Friday, December 30, 2022

Lost in Translation: odd classic film titles in Portuguese - screwball comedy edition

 

Here we are again, at yet another edition of the beloved - at least by me - series “Lost in Translation”. This time we talk about one of the most cherished film genres, that produced movies that made people laugh and forget their troubles. Many screwball masterpieces were also a box-office failure when they were first exhibited, but they stood the test of time and are now considered some of the best movies ever made by critics, filmmakers and cinephiles.

One curious tidbit is that there is no direct translation of “screwball comedy” in Portuguese. We either refer to the original term or try an approximation - I usually say “zany” or “wacky” comedies whe talking about screwball. Now let’s see some fun titles in Brazilian Portuguese:    

“Bombshell” (1933) received the title “Mademoiselle Dynamite” (“Mademoiselle Dinamite”)

“The Thin Man” (1934) is here “The Accused’s Supper” (“A Ceia dos Acusados”)

“Mr Deeds Goes to Town” (1936) got the title “The Dashing Mr Deeds” (“O Galante Mr Deeds”)

“My Man Godfrey” (1936) became “Irene, the Stubborn” (“Irene, a Teimosa”)

“Libeled Lady” (1936) is here “Married to my Fiancée” (“Casado com Minha Noiva”)

“Easy Living” (1937) received the title “Lucky Girl” (“Garota de Sorte”)

“The Awful Truth” (1937) is known as “Cupid is a Stubborn Brat” (“Cupido é Moleque Teimoso”)

“Bringing Up Baby” (1938) received the title “Mischievous” (“Levada da Breca” is a hard-to-translate slang)

“You Can’t Take It with You” (1938) was translated as “From the World You Take Nothing” (“Do Mundo Nada se Leva”)

“The Philadelphia Story” (1940) got the title “Wedding of Scandal” (“Núpcias de Escândalo”)

“His Girl Friday” (1940) is known as “Fasting of Love” (“Jejum de Amor”)

“The Lady Eve” (1941) became “The Three Nights of Eve” (“As Três Noites de Eva”)

“Sullivan’s Travels” (1941) received the title “Human Contrasts” (“Contrastes Humanos”)

“The Palm Beach Story” (1942) is known as “A Real Woman” (“Mulher de Verdade”)  

“The Man who Came to Dinner” (1942) received the title “Satan Dines with Us” (“Satã Janta Conosco”)

“The More the Merrier” (1943) is here “Original Sin” (“Original Pecado”)

“Arsenic and Old Lace” (1944) became “This World is a Loony House” (“Este Mundo é um Hospício”)

“Christmas in Connecticut” (1945) got the title “Indiscretion” (“Indiscrição”)

Wednesday, June 22, 2022

Lost in Translation: odd classic film titles in Portuguese – Billy Wilder edition

 

Ah, Billy Wilder. A master, a genius, a legend. He was born in Austria-Hungary, where it is Poland now, and wanted to be a lawyer, but found everlasting fame working behind the scenes in Hollywood. Coming from Berlin to the US in 1933, without knowing how to speak English, Wilder and his roommate, Peter Lorre, ended up making it big in Hollywood. Wilder started as a screenwriter and later became a director. A fantastic director: he rarely made a bad movie. To honor him in the “Lost in Translation” series, I present some curious titles his films received in Brazil. The titles not mentioned in this article were translated verbatim.

“That Certain Age” (1938) became “Dangerous Age” (Idade Perigosa”)

“What a Life” (1939) received the title “Life Begins at 14” (“A Vida Começa aos 14”)

“Hold Back the Dawn” (1942) is here “The Golden Door” (“A Porta de Ouro”)

“The Major and the Minor” (1942) was released as “The Incredible Suzana” (“A Incrível Suzana”)

“Double Indemnity” (1944) is here “Blood Pact” (“Pacto de Sangue”)

“The Lost Weekend” (1945) became “Human Rag” (“Farrapo Humano”)

“The Bishop’s Wife” (1947) received the title “An Angel Fell from Heaven” (“Um Anjo Caiu do Céu”)

“Sunset Boulevard” (1950) is known as “Dawn of the Gods” (“Crepúsculo dos Deuses”)

“Ace in the Hole” (1951) is here “The Mountain of the 7 Vultures” (“A Montanha dos Sete Abutres”)

“Stalag 17” (1953) received the title “Hell Number 17” (“O Inferno Nº 17”)

“The Seven-Year Itch” (1955) is known as “Sin Lives Next Door” (“O Pecado Mora ao Lado”)

“The Spirit of St Louis” (1957) became “Lonely Eagle” (“Águia Solitária”)

“Some Like It Hot” (1959) is known as “The Hotter, the Better” (“Quanto Mais Quente Melhor”)

“The Apartment” (1960) was retitled as “If my Apartment Could Talk” (“Se meu Apartmento Falasse”)

“One, Two, Three” (1961) is here “Cupid has no Flag” (“Cupido não tem Bandeira”)

“The Fortune Cookie” (1966) was retitled as “A Blonde for a Million” (“Uma Loura por um Milhão”)

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